RE: [Harp-L] "A-Train"
- To: harp-l harp-l <harp-l@xxxxxxxxxx>
- Subject: RE: [Harp-L] "A-Train"
- From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
- Date: Sun, 22 Feb 2009 12:56:47 -0800 (PST)
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- In-reply-to: <BAY130-W3393B55171AFA276B46958ABB10@phx.gbl>
- Reply-to: winslowyerxa@xxxxxxxxx
I corner-switch through the entire passage. The chromatic note sequences are no problem that way - they're just notes in one corner or the other. In the following (L) is left corner and (R) is right corner.
G (L)
E (R)
G (L)
C E (R)
G#ÂÂÂÂÂ AÂ Â A# B (L)
E (R)
G Gb F (L)
Db C (R)
E (L)
Winslow
Winslow Yerxa
Author, Harmonica For Dummies ISBN 978-0-470-33729-5
--- On Sun, 2/22/09, robert mcgraw <harpbob@xxxxxxxxxxx> wrote:
From: robert mcgraw <harpbob@xxxxxxxxxxx>
Subject: RE: [Harp-L] "A-Train"
To: winslowyerxa@xxxxxxxxx, "harp-l harp-l" <harp-l@xxxxxxxxxx>, jross38@xxxxxxxxxxx
Date: Sunday, February 22, 2009, 3:51 AM
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> The back-and-forth leaps in A-train are dead easy and play very smoothly if you use tongue-switching.
---Lots of the responses on this have involved using corner [or tongue] switching for this part of the tune...bars 1-5. I don't disagree that corner-switching helps with this, butÂfor me the real problem isn't with this part of the tune, it's with the next two bars...the little chromatic passage A-A#-B-E then G-F#-F-C# [all in one bar!] then C-E.
ÂÂÂHere i don't think corner-switching is relevent, and here is where, I think, the tune is difficult. At least for meÂ:-)
WVa Bob
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